I often work from photos I have taken of skies, tree lines, marshes, tidelands. In the midst of mixing colors, pouring mediums, stretching canvas and all the other steps of preparing and using materials to create a painting, I often need to re-examine the reference photo.
What was it about this scene that initially gave me an uplifting jolt? Where’s the movement, the flow, the crescendo?
I practice mindfulness on a regular basis which helps me to focus on that initial excitement and then work with worldly mediums to portray that feeling onto a painted canvas. It’s a balancing act of intention and outcome.